- #Federico fellini paintings full
- #Federico fellini paintings series
- #Federico fellini paintings crack
THE MAGIC OF THOSE OLD CHRISTMAS GREETING POST CARDS (EPISODE #2).
#Federico fellini paintings crack
9,000 VIEWS FOR THIS VIDEO: “THERE IS A CRACK IN EVERYTHING…”.10 CRACKS: MY PORTFOLIO IN THE “NO MIDDLEMAN ART GALLERY” BY EDGE OF HUMANITY MAGAZINE.Sign me up! MI-LI-BRO Italian Blog by Roberto Alborghetti Articoli recenti Email SubscriptionĮnter your email address to subscribe to this blog and receive notifications of new posts by email.
#Federico fellini paintings full
Excerpts and links may be used, provided that full and clear credit is given. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author is strictly prohibited. * Federico Fellini – Work on display at First Drawing Biennial in Rimini (open until June 8, 2014)Ĭopyright Notice | © Roberto Alborghetti. These films trace and expose the strong connection with Rimini found in the work of the great Maestro.
#Federico fellini paintings series
Rimini promoted a series of initiatives and events to commemorate the twentieth anniversary of the death of the great director and to celebrate the decennial anniversaries of ‘ I vitelloni’ (60 years), ‘8 e ½’ (50 years), ‘ Amarcord’ (40 years) and ‘ And the Ship Sails On’ (30 years). Last year the events of ‘Fellinianno 2013’, symbolically inaugurated with the opening of a room in the Museo della Città dedicated to the ‘Book of Dreams’. The original “The Book of Dreams” is displayed at Museo della Città di Rimini the work was published in 2008 by Fondazione Federico Fellini and Rizzoli New York. Having seen for himself that a dream could only be remembered for a few minutes upon awakening, the director kept a notebook on his bedside table where he jotted down his visions and feelings as soon as he opened his eyes. Indeed, he often asked his friends to tell him their dreams and urged them not to waste what he called “the night work”, at least as important, if not more so, than the thoughts and activities of one’s waking hours. Long before he ventured into the oneiric universe with the cognitive tools recommended by Bernhard, however, Fellini was well aware of the importance of dreams. The first volume (approximately 245 pages) goes from Novemto August 2, 1968, while the second (154 pages) goes from February 1973 until the end of 1982: a span of 22 years, which is supplemented by other scattered pages and several notes dated 1990. Urged by the Jungian analyst Ernst Bernhard, Fellini jotted down and illustrated his own nocturnal fantasies over the space of thirty years. These sketches are mostly done with variously colored felt-tip pens. The extent of that devotion is fully evident with his “Il Libro dei Sogni” (The Book of Dreams). This is demonstrated in his artistic sketches which were spontaneously drawn between filming scenes on set and in his office at Cinicitta.During a recent press conference in Milan for the presentation of the first Drawing Biennial in Rimini (Italy) – see my previous post – I had the great occasion to admire the original Fellini’s Book of Dreams (the two volumes were brought to Milan from Rimini by a special security team…).Īnyone familiar with the films of Fellini knows that he gave importance to dreams. Fellini Explored religion and religious contradiction, sexual oppressiveness and sensuality throughout his career. Starting his career as an avid journalist and cartoonist specialising in caricatures, it wasn't until after the downfall of Mussolini and the end of the war, Fellini obtained his first major film break. Federico Fellini was one of the great Neo-Surrealistic Italian Film makers with a career spanning four decades.A caricature of a well endowed woman in pen, ink, felt pen and pencil drawing on a piece of A4 paper, probably based on a scene from Fellini's film 'Armarcod' (1973), inscribed in Italian, dated Roma Agusto 75 and signed by Fellini, together with two more artworks one of a little drummer girl, also in pen, ink and felt pen drawing on A4 paper, inscribed Here is the little drummer girl I promised you, big love in Italian and signed Fellini, and another depicting a surreal caricature of the sphinx above an advertising billboard with businessmen and two religious men pointing at a woman on the billboard, in pen, ink, and felt pen drawing on a piece of A4 paper, inscribed in Italian and signed by Fellini, all 8 in x 12 in (20cm x 30.5cm) (3)